Sunday, March 1, 2026

A solidly Plot-ted thriller


⭐⭐⭐⭐ 

More of a 3.75; The Plot is definitely closer to 4 stars than 3 stars.

Jacob Bonner had a promising debut novel, a disappointing follow-up, and then found himself wandering the world of a novelist who doesn't really have another one in him...but doesn't have the skills for anything else. So he winds up teaching at a program where a student tells him the plot for the novel he's working on; Bonner realizes that the student is right, the plot is guaranteed to be a hit, but over the years, the novel never appears. After finding the student died, Bonner writes the book himself (using just the central conceit of the book) and becomes a celebrity novelist, getting the fame, fortune, and even love he didn't really think was possible. But he's living with the guilt of having stolen the idea.

Of course, ideas can't be stolen; as is detailed in the book, you can only copyright actual written material. Even so, Bonner has a hard time living with himself. He knows that he did the work of writing the book himself, and after years of teaching and doing online writing consulting, he is very well aware that someone having an idea for a book is very different than actually writing it. I wonder how much of the guilt was because the student was a competent writer; not a great one, but decent.

We do learn the big twist of the plot eventually, for which I was very relieved; there's a lot of talk in the book about how it's this huge can't miss idea, guaranteed to be picked up and directed by a big name, will definitely sell millions, etc. And when I got to the twist, it was...you know, good. It's a solid story. It's not something that's never been done before, certainly (and I listen to and read enough true crime to know that it's something that has happened in real life many times). Is it a good story? Yes. I don't know that it would help Bonner to realize that the book probably wouldn't have been as big a hit if the student had written it; Bonner has the training and experience of being a good writer to turn the book into a hit. Like, I'm sure other people had probably written Gone Girl-like books before Gillian Flynn did; they just didn't go anywhere.

So I found the beginning of the book more interesting than the rest, when Bonner starts poking around the student's life after getting "You're a thief" messages from someone online. I loved the look into the writing program where he taught and how it just kept getting sadder over the years; I loved him setting himself up as a writing consultant online and working at a hotel-turned-writer's-retreat. I honestly probably would've been happy with a book about him working at that hotel, trying to eke out a life that way.

The ending worked for me, though I got a bit frustrated with Bonner not putting certain pieces together sooner in the story. Of course, it is hard when you're the main character in a story because you don't realize you are the main character of a story, and that your life will involve twists of its own.

A compelling thriller. I'll probably pick up The Sequel at some point.

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